The first magazine for people building, advising, and collecting the art of this decade. Markets, talents, cities, and the rooms where the decisions actually get made.
CEOs · CFOs · CHROs · Art Directors
You’re building or expanding a corporate art program, but:
You need strategic guidance, not art theory.
Principals · Investment Committees · Wealth Advisors
You’re allocating capital to art as an alternative asset, but:
You need investment analysis, not auction catalogs.
Advisors · Gallerists · Auction Specialists · Consultants
You’re advising corporate clients and family offices, but:
Corporate collecting has entered a new era. Across industries and continents, global companies are moving well beyond the lobby sculpture — building serious collections, hiring chief curators, and reshaping where money flows in the contemporary art market. Who are these new institutional players, and what do they want? The New Power Collectors investigates.
The smartest corporate collectors don’t follow the market — they anticipate it. As institutional buying accelerates, a new cohort of artists is drawing serious attention from acquisition committees in New York, London, and Seoul. These are the ten names to know before the rest of the market catches up.
Frieze, TEFAF, 1-54, Nada, the Armory, Art Dubai, Zona Maco, and Photo London — what each delivers for a corporate or institutional buyer. Art Basel remains the benchmark. But for corporate collectors building serious programs, one fair a year is no longer enough. Across continents and disciplines, a new circuit of specialist events is quietly becoming essential .